- "Andersen... still had time to create his CD that ranges from stories about love and angst to tracks about the simple pleasures of life. His lyrics are poetic and intelligent." -

- "DIY one man computer terror launches industrial/noise rhythm and sound attacks." -

- "If you were a fan of the Hellevators OR love the quirky nature of Stephen Malkmus... give a listen - don't let the '80s guitar start (of 'Blond on Blonde') scare you!" -

- "Sporting black Converse sneakers, purple T-shirt and disheveled dirty blond hair, Silva equally resembles a Fifties rock hero and a computer geek. ...The CD is a narrative story line of star-crossed love, simple pleasures and angst interspersed with the music and Silva's voice, a cross between Lou Reed and Frank Zappa." -

- "It (Joy in the New) is a bombardment of a broad range of musical styles surrounding lyrics that depict his personal experiences, both good and bad." -

- "Interesting contrast between music and lyrics. It ('Christmas Lonely') is almost an up-beat heartbreak song. I like it." -

- "That ('Christmas Lonely') is all I have been listening to all morning. I have to admit its madddd catchy." -

At Duane Park, NYC, 6-21-09

Below are lyrics, samples, and artwork for songs I've recorded for my eventual sophomore album, Tougher Than Flannel, as well as the covers I've done; for lyrics, samples, and artwork from my first album, Joy in the New, click here. More info under the Music menu item above...! You can also view some of my music-related videos on YouTube.


Original Songs

Loster [2009]
[listen]  No, still haven't founder...  [lyrics]

"Loster" is more bitter than most of my songs, in its treatment of both the protagonist and the woman he lost. I'd laid down a brief demo of the song many months before I got around to really doing it, but I hadn't left myself any notes on what exactly I was playing on the guitar, so I had to spend fifteen minutes to figure it all out before I could record. I don't use much piano in my recordings, but coming hot off the heels of my cover of "Tomorrow Never Knows," this session found me adding a few keyboard touches.

Rockhopper [2007]
[listen]  Blond on blonde?  [lyrics]

This was probably the first time that I'd had a complete set of lyrics, and almost a complete musical recording, that I put together without either having been written specifically for the other. I'd written "Rockhopper" several weeks earlier, intending to record it but not really having thought about how the music would sound. In mid-March 2007, I came home from work one night determined to get some recording done, and I slammed together most of the guitar part, saving it as "No name yet." It wasn't 'til the next day while thinking about the bass part that I considered fitting the "Rockhopper" lyrics to the song.

Drabbard [2007]
[listen]  Mmm, palindrome.  [lyrics]

I started piecing together the music that would become "Drabbard" shortly after buying my PowerBook in 2005 and becoming acquainted with Apple's GarageBand software. I tinkered with the tune a few times over the next two years before deciding to put the idea of writing a song about writing songs together with that particular musical experiment.

Dangerous Babies [2007]
[listen]  If only he'd run with scissors...  [lyrics]

While I had a specific world leader in mind when I thought up these lyrics, there are plenty of others, past and present (and future, no doubt), who fit the bill, too. The twelve-string gets a bit of juice in this recording, a reminder that it's an acoustic/electric. A few weeks later, I remixed the tracks into the "decider mix."

Six Months [2006]
[listen]  Who knows where the time goes?  [lyrics]

I'm just full of silly love songs... or something. The idea for this song came to me after about three or four months, I started writing it at six months, and I finally finished it after a year, coming full circle for my birthday. I like the keyboards, they remind me a little of the Who; not so much the middle bit, but certainly while I'm singing. Probably just me, though.

Rock and Roll Day [2006]
[listen]  What do you wanna do with your life?  [lyrics]

After my friend Theresa mentioned to me that 'Rock and Roll Day' was coming up (yes, it's a real holiday in early July, at least as far as the greeting card companies are concerned), I was playing some of my older songs on the Danelectro when the intro came to me. I quickly figured out the rest of the music, and came up with lyrics a week later, using Theresa's suggestions as a cue; I recorded it the same day.

Frendy Tucker [2006]
[listen]  Rip her to shreds!  [lyrics]

C'mon, you can figure it out... This song was undeniably influenced by the Offspring, though I don't think it sounds much like them. The vaguely Arabic lick is a nod to Dexter, and the lyrics are more radio-friendly than the punkers' own "trendy" song. After my last few recordings, it felt good to rock when I did this in mid-February 2006.

Souls Broken [2006]
[listen]  Exposed in bad weather...  [lyrics]

Begun just before New Year's Eve 2005, this happy little number was completed a week later. I hadn't intended for it to become electronic, but...  :::shrug:::   That's how it turned out. GarageBand was an invaluable tool for this one.

Christmas Lonely [2005]
[listen]  Alone again... naturally.  [lyrics]

I thought up this song in December of 2004, but only wrote a line or two, until the following November when I finished the lyrics and recorded it. This is the first song I recorded using my Ovation 12-string, and I really like the sound.

Heavywait [2005]
[listen]  Unencumbered?  [lyrics]

I used to make fun of Paul Simon for trying to squeeze extra syllables into his song lyrics, but forgive me, Rhymin' Simon, for I'm occasionally guilty of the same pleasure. I wrote this song in the spring of 2004 while my baby was away, during one of my "heavy waits" for her return. I believe I was actually walking unencumbered down the shady side of her street when that particular line came to mind...

Too Loud to Be Eaten with the Naked Eye [2005]
[listen]  A sensory delight...  [lyrics]

One of only two instrumentals I've recorded during the modern (read: good) period of my musical career. The name came to me several years before any concept of the music did, though I knew I wanted it to be moody and jazzy.

Down the Shore [2005]
[listen]  Burn, baby, burn...  [lyrics]

I was told of a DJ's quest for the perfect beach song, and while I don't think "Down the Shore" really fits the bill, I was inspired to write it anyway. I think the techno bass works pretty well with the surf guitar and drums, and the lyrics make it clear that I'm a Jersey boy.

Hannah's Song [2004]
[listen]  Hannah is a girl with big brown eyes.  [lyrics]

Gina and I were talking one night about children's music, and I joked about recording some. I put together these lyrics about her daughter and laid down a track with a vague "All Together Now" feel to it. Maybe I'll try another kids' song at some point...

Human Thing (alien mix) [2003]
[listen]  It's a human thing, I hope you understand!  [lyrics]

A remix; the original is on Joy in the New.

Troll Doll (in dem Haus) [1999]
[listen]  You're nothing but a demonic, sybil-like troll doll!  [lyrics]

"Troll Doll" came about as a result of some voice mails I was asked to retrieve. Hearing the content, I found some sound bites that presented themselves as perfect for a techno-style song, something I'd never done before. I threw in a few Metallica samples, too, and this gabber-fest was born.

Victory Samba [1994]
[listen]  Obá!  [lyrics]

After watching Brazil's victory in the 1994 World Cup with a number of Italy fans, I went home to quickly compose this one.


Cover Songs

Tomorrow Never Knows [2009]
The Beatles' Revolver is the first album I ever really got into, but the idea to do this cover just popped into my head one day, and I recorded it just a few days later. In fact, it kick-started the recording process again; I did this one on a Saturday, and "Loster" on Sunday.

Fourth of July [2006]
Another holiday song... I've always enjoyed the original by X; I recorded this 12-string rendition on the 4th, and you can hear some of Lyndhurst's fireworks crackling in the background

Christmas (Baby Please Come Home) [2004]
U2's cover has always been one of my favorite Christmas songs, and I recorded it myself while missing my baby during the holiday season; I ended up seeing her on Christmas Eve  :)

Dirty Water [2003]
An old Standells song about Boston; they weren't actually from there, either

Powerhouse (excerpt) [2003]
You probably don't know "Powerhouse" by name, but the odds are pretty good that you've heard this part of it before!

Rockin' in the Free World '03 [2003]
I redid this cover, partly at the request of a friend, and coincidentally I recorded it the day Dubya started his Illegal War

How Much More [2002]
Yes, a Go-Go's song; hey, the Go-Go's kicked some major ass! I've wanted to record this one for a long time

Rockin' in the Free World [2002]
Maybe it's because there's a war (of sorts) on, or maybe just the fact that there's another Bush in the White House, but I've been thinking of this song for weeks now, so I finally broke down and recorded it. While it is a cover, this track holds two distinctions: it's the first I recorded directly to the iBook, using my iMic USB audio converter, and it's the first time I recorded myself singing and playing the guitar at the same time. lol It's got a very unpolished live sound, but then that's what I was going for

Just Like Heaven [2001]
She almost did run away with me

Happy Xmas (War Is Over) [2000]
if you want it...

Terrible Lie [2000]
Hey, God, this has always been one of my favorite NIN tunes

Not Fade Away [1999]
I take on Bo Diddley and George Thorogood (and some others) in this rockin' Buddy Holly cover

Rebel Rebel [1997]
I know, it sounds like I borrowed the Human League's drum machine...

(I'm Not Your) Steppin' Stone [1997]
Yet another punk rendition of the Monkees' classic; kiss this, Johnny! ;)

Can't Stand Losing You [1997]
An early Police tune

Rainbow Connection [1996]
The 'Muppet Movie' song, featuring a Commodore 128 playing rhythm but no frogs